
Guest company
Teatro Aurelia
The Teatro Aurelia ballet: two centuries of the Italian school, a corps de ballet of eighty dancers, and a repertoire that runs from Giselle to today's new works.

A Scènova production · In-house production
A tribute to Maurice Ravel. A fifteen-minute crescendo, a single phrase repeated eighteen times, and a stage that fills until it can hold no more.
Boléro is a Scènova production. We own it and hold the performance rights.
Ravel wrote Boléro in 1928 at the request of a dancer who wanted a ballet with a Spanish character. He chose an Andalusian dance, a single melody, a single rhythm, and let the orchestration do all the work. The piece became one of the most performed in the world.
What makes Boléro so daunting for a choreographer is exactly what makes it irresistible: there is nothing to tell and nowhere to hide. The tension can only come from accumulation.
Choreography, staging, libretto, sets and costumes were created by our artistic team for the 2016 tour. The piece is built around a single central point of support, around which the corps de ballet enters in waves, bar after bar.
It opens or closes an evening, never stands alone: fifteen minutes of music call for a programme around them.
On stage

Guest company
The Teatro Aurelia ballet: two centuries of the Italian school, a corps de ballet of eighty dancers, and a repertoire that runs from Giselle to today's new works.

Guest company
The Opéra Palatina ballet: a nineteenth-century Roman house, a proscenium stage in the Italian manner, and evenings that play as well under the open sky as in the auditorium.

Guest company
A company built around a single choreographer, who calls his work 'psychological ballet' and adapts great literature for the dancing body.